I love wood, its quality, sustainability, its warmth and aroma, its volatileness, occasionally stubbornness. The finished sculpture can be rough with marks of the work process or plane and smooth. Each material shows you limits of feasibility - wood is very versatile. Wonderful.

2014 two piece (lime wood)
2014 two piece (lime wood)
  • 2015 changing edge II (oak)
    2015 changing edge II (oak)
  • 2015 changing edge (3. image)
    2015 changing edge (3. image)
  • 2015 changing edge II (2. image)
    2015 changing edge II (2. image)
  • 2014 two piece (lime wood)
    2014 two piece (lime wood)
  • 2014 two piece (varied array)
    2014 two piece (varied array)
  • 2014 two piece (varied array)
    2014 two piece (varied array)
  • 2012 untouchable (lime wood, acrylic paint, pigments)
    2012 untouchable (lime wood, acrylic paint, pigments)
  • 2012 changing edge (cottonwood)
    2012 changing edge (cottonwood)
  • 2012 changing edge (2. image)
    2012 changing edge (2. image)
  • 2012 changing edge (3. image)
    2012 changing edge (3. image)
  • 1988 little man (lime wood)
    1988 little man (lime wood)
  • 1988 little man (2. image)
    1988 little man (2. image)
  • 1988 girl (lime wood)
    1988 girl (lime wood)
  • 1988 girl (2. image)
    1988 girl (2. image)
  • 1988 girl (3. image)
    1988 girl (3. image)
  • 1986 top-heavy
    1986 top-heavy
© Marianne Kantert